Country: Year: 1994 Duration: 00h: 51m: 51s Producer: Todd Phillips Screenplay: Todd Phillips Director: Todd Phillips Starring: GG Allin, Merle Allin, Shireen Kadivar, Dee Dee Ramone, Geraldo Rivera, ... Translated and subtitled by: Eddie Lamorgue
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Documentary about the history of Allin, his youth, his beginnings in music and his later excesses uncontrollable coprophagia extreme image, violence, urofagia, vomiting, etc. documentary about a mythical character who represented the more nihilistic side, wild and provocative of punk , GG Allin. Musically speaking, nothing that made me seem remarkable, since disks that had very little editing professionals ( punk spirit, yes, but without any quality ), and about you'll just say that I seemed a curious guy and despicable. Needless to say, those who knew him and were aware of his eccentricities in their shows, knew what they were exposed. No doubt an exaggerated reflection of what was a mindless youth with no other motivation than to let go, to live fast and die young. What's inspired this respect never Allin, the people who worshiped him saying he was a leader on a kind of anarchic and chaotic revolution of Hence their complete contempt for excessive self-centeredness and made him you love him or odiases. As for the documentary, the 52 intense minutes that we are immersed in the universe Allin filled with excess, drugs, shit (in all senses ) and above all, provocative. his band The Murder Junkies ( which is the stage in which the director focuses ) was surrounded by three other curious characters: his brother ( with a long and hilarious Hitler mustache), a battery as disturbed as GG ( or more even jokingly refer to him as a true psychopath ) and a guitarist that are released too much data. Yes, the former guitarist appears that shit about check Allin and Dee Dee Ramone, who also played in the band showed considerable improvement. This film is a serious and direct document the artist's life, with images that leave most painted astonished to: coprophagia, violence, golden rain, self-mutilation, ... all this in great detail to satisfy anyone who likes public scandal. GG died three days after the premiere of this documentary by an overdose of heroin and cocaine, after a brutal party. "Hated " is absolutely indispensable for those who like GG Allin , and others (myself included where ) is a curious (and excellent ) film to meet a attempt rock star who lived as he felt like regardless of anything, one of many ways to live this life and Allin enjoyed their way, the only one who knew.
busting Yakuza GIRLS: FINAL BATTLE DEATH RIDE 2010 [VOSE]
Country: Year: 2010 Duration: 1h: 32m: 23s Producer: Junko Miki Nagasaka and Nakadaira Guion: Kazushi Shinozaki Makoto Nakadaira and Director: Kazushi Nakadaira Starring: Asami, Rena Komine, Kenji Motomiya, Jirô Satô, Misato Tate, ... Translated and subtitled by: Eddie Lamorgue
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After the assassination attempt burying alive, Asami returns from the grave to exact revenge on the Yakuza and extorting frightening the citizens of your city home. No be alone, his gang and then help with this dirty job. The second in a trilogy ( for now ...) starring Asami hard is this "Final death ride, entertaining action movie, splatter, violence and seductive bad girls. A tribute to the extreme Japanese movies of the 70 but translated into our century. Many influences of Violence pinky, no doubt, but if you have a movie ( good, in this case two ) that recalls the directorial debut of Kazushi Nakadaira , por cercanía y para quien no esté muy al tanto de aquellas locuras niponas setenteras, es el magnífico díptico Kill Bill (2003/2004) , sobre todo por su comienzo y por la historia de Asami , semejante en muchos aspectos al de "la novia" empeñada en encontrar y dar muerte a Bill . Sabiendo que Tarantino se empapó de este tipo de cine japonés para deleitarnos con esas dos grandes películas, el círculo se cierra de forma lógica. El cine nipón es diferente a todos los demás, y aunque no we are talking about a film too radical, they do their levels of violence ( caricature, exaggerated and parodic in most scenes ) are high, also in this strange and delusional angry humor so characteristic of the East. The story does not say anything new, but is full of hatred, revenge, betrayal and blood, so I think that the objectives sought by any taster of the film's largely complies. Call attention to the gang of the yakuza are useless, completely antagonistic to the brutal and frightening gangsters portrayed by Takashi Miike or Johnnie To ( to put a couple of examples ), and here are a band of losers led by a coward and sadomasochistic boss, completely nullified by the rival Asami. Although there are scenes anthologies ( many times absurd ) stand out above all the great start and the last half hour, plump unleashed action, humor to Jackie Chan and a shattering denouement as expected . Buenos FX (though not spectacular ) of Yoshihiro Nishimura ( yes, the same as the now legendary, despite its modernity , Tokyo Gore Police (2008) ) and great music, especially the two songs that open and close respectively the opening credits of the film, again with direct influence included by Tarantino soundtracks in his films ( seventies rock, surf ...). We are not talking about a film that will go down in history, but of course, its core mission, which is to entertain, get it to spare. And if you are addicted to the Nipponese dishevel we spoke of "Final death ride" is for you and a half hours of pure enjoyment.
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